Pattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship

Basit Öğe Kaydı
dc.contributor.authorKilincarslan, Yasemin
dc.date.accessioned2026-08-12T17:01:14Z
dc.date.issued2013
dc.departmentFırat Üniversitesi
dc.description.abstractKunio Kato's film La Maison En Petits Cubes has two dimensions. One of these is the content design, which depends on aristo aesthetic, and the other one is the visual aesthetic, which depends on tranquil, simple, refreshing and relaxing traditional japan pictures like Ando Hirosige's. The director manages to configure a visual and content integrity between the form of human body and the design of the city. The human-city analogy is the key point to look at the human consciousness which inquiries the existentialism problems related to changing milieu.
dc.identifier.doi10.5195/cinej.2013.86
dc.identifier.endpage161
dc.identifier.issn2159-2411
dc.identifier.issn2158-8724
dc.identifier.issue1
dc.identifier.startpage150
dc.identifier.urihttps://doi.org/10.5195/cinej.2013.86
dc.identifier.urihttps://hdl.handle.net/11508/47596
dc.identifier.volume3
dc.identifier.wosWOS:000446919400009
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isoen
dc.publisherUniv Pittsburgh, Univ Library System
dc.relation.ispartofCinej Cinema Journal
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_WoS_20260511
dc.subjectaesthetic
dc.subjectanimated cinema
dc.subjectjapan
dc.subjectcatharsis
dc.subjectmilieu
dc.titlePattern of the Body Image in La Maison en Petits Cubes on the Basis of Milieu and Individual Relationship
dc.typeArticle

Dosyalar

Koleksiyon

WoS İndeksli Yayınlar Koleksiyonu