Remodeling Cinderella Through Posthuman Performativity in Marissa Meyer's Cinder

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dc.contributor.authorAyyildiz, Nilay Erdem
dc.date.accessioned2026-08-12T16:34:19Z
dc.date.issued2025
dc.departmentFırat Üniversitesi
dc.description.abstract[Abstract Not Available]
dc.identifier.doi10.1080/00497878.2025.2501197
dc.identifier.endpage713
dc.identifier.issn0049-7878
dc.identifier.issn1547-7045
dc.identifier.issue6
dc.identifier.scopus2-s2.0-105005409721
dc.identifier.scopusqualityQ2
dc.identifier.startpage701
dc.identifier.urihttps://doi.org/10.1080/00497878.2025.2501197
dc.identifier.urihttps://hdl.handle.net/11508/44410
dc.identifier.volume54
dc.identifier.wosWOS:001487865600001
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.indekslendigikaynakScopus
dc.language.isoen
dc.publisherRoutledge Journals, Taylor & Francis Ltd
dc.relation.ispartofWomens Studies-an Interdisciplinary Journal
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.snmzKA_WoS_20260511
dc.subjectGender
dc.titleRemodeling Cinderella Through Posthuman Performativity in Marissa Meyer's Cinder
dc.typeArticle

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